MULDER, SCULLY MAKE A GOOD TEAM
Our Flick of the Week is "The X-Files," a feature film treatment of the five-year hit TV show, which, just for the record, I have never seen and thus cannot...
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HARRISON, HECHE SHINE IN `SIX DAYS’
Our Flick of the Week is "Six Days, Seven Nights," in which Harrison Ford and Anne Heche play would-be lovers stranded on a tropical island. The big issue raised by...
DOUGLAS’ `MURDER’ FAR FROM PERFECT
Our Flick of the Week is "A Perfect Murder," and with a title like that you might reasonably expect to watch the construction of a crime and sit in judgment...
`GODZILLA’ SCORES LOW ON SCARE SCALE
Our Flick of the Week is "Godzilla," and given the inherent drama of making a movie about the world's most terrifying giant lizard, "Godzilla" should have been scarier than it...
`IMPACT’ OFFERS RICH CHARACTERS
Our Flick of the Week is "Deep Impact," a comet disaster movie that has a lot more going for it than impending disaster and our desire to see the filmmakers...
SISKEL RESPONDS
In response to Roger Ebert's letter on April 26 regarding which critic is tougher on films: According to statistics covering 120 weeks, compiled by the "Siskel & Ebert" staff, Roger...
LEE’S GOT A WINNER IN `GAME’
Our Flick of the Week is Spike Lee's powerful father-son drama "He Got Game," which is being billed as Lee's basketball movie. A major hoops fan, Lee certainly does sketch...
MAMET’S PRISONER’ A TRICKY THRILL
Our Flick of the Week is David Mamet's "The Spanish Prisoner," a truly tricky tale of intrigue that sets itself apart from the many double-cross movie stories we've been getting...
`OBJECT’ PLAYS LIKE A TV SITCOM
Our Flick of the Week is "The Object of My Affection," a tiresome sexual rondelay in which everyone is defined by their sexual orientation in a story that is less...
`ODD COUPLE’ SEQUEL A BIG RIPOFF
Our Flick of the Week is "The Odd Couple II," not because it is the week's most important film; it's simply the week's, and probably will end up being the...