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For the first time since 2019, the venerable Joseph Jefferson Awards for Chicago theater were presented in person Monday night at the Drury Lane Theatre in Oakbrook Terrace. For the 54th annual awards for union-affiliated Equity productions, the all-volunteer committee found favorites in the Goodman Theatre’s Broadway-bound “Good Night, Oscar,” A Red Orchid Theater’s “The Moors,” Paramount Theatre’s fresh staging of the Broadway musical “Kinky Boots,” Teatro Vista’s “Somewhere Over the Border” and Porchlight Music Theatre’s “Blues in the Night.”

Jeff winner for best performer Sean Hayes, once a Chicago actor and musician and the star of “Good Night, Oscar,” attended in person, as did the play’s Jeff Award-winning writer Doug Wright.

“I wanted to show up for my hometown,” Hayes said. “Ever since I was a kid growing up in Chicago, I wanted to win a Jeff Award.” Now he has.

The ceremony, exuberantly hosted by E. Faye Butler, was an especially emotional one, reflecting a community that has not assembled for such an occasion in three years. Performances from nominated musicals, featuring both local and out-of-town performers, were especially rich.

Due to the pandemic, the Jeff committee introduced a new “short run” category for shows that did not meet its minimum length of dates: About Face Theatre’s “The Magnolia Ballet” emerged victorious.

The prized ensemble Jeff Award, a long-standing Chicago tradition, was shared by the Steppenwolf Theatre Company’s actors in “Choir Boy” and the cast of comedic veterans in Drury Lane’s “Steel Magnolias.” For a musical, the award went to Teatro Vista for “Somewhere Over the Border.”

The Joseph Jefferson Award Committee no longer separates acting awards according to gender. The best lead performer in a play awards went to Hayes and Cassidy Slaughter-Mason, who appeared in “The Luckiest” at Raven Theatre. And both Richard Bermudez (“Evita” at Drury Lane) and Michael Wordly (“Kinky Boots”) won for their work in musicals.

Other major acting awards went to Bethany Thomas (“Songs for Nobodies” at Northlight Theatre) and Felicia P. Fields (“Blues in the Night”).

The Jeffs for best new work went to both Wright for “Good Night, Oscar” and Tyla Abercrumbie, whose epic drama “Relentless” was a sold-out hit for the TimeLine Theatre Company.

A special Jeff was award to the veteran and much-loved Chicago director and longtime Goodman artistic associate Chuck Smith. “Please be careful swimming out there in the waters of the internet,” Smith said to the assembled theater community. “Let’s figure out a way we can come together more often than to accept awards.”

Chris Jones is a Tribune critic.

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Ben Rappaport as Jack Paar and Sean Hayes as Oscar Levant in Doug Wright’s “Good Night, Oscar” at the Goodman Theatre.

WINNERS OF THE 2022 EQUITY JEFF AWARDS

Production of a Play (Large; the Dr. Harlan Haimes Award): “Good Night, Oscar” – Goodman Theatre

Production of a Play (Midsize): “The Moors” – A Red Orchid Theatre

Production of a Musical (Large): “Kinky Boots” – Paramount Theatre

Production of a Musical (Midsize): “Somewhere Over the Border” – Teatro Vista

Production of a Revue (Large): “Blues in the Night” – Porchlight Music Theatre

Director of a Play (Large): Ron OJ Parson – “Relentless” – TimeLine Theatre Company

Director of a Play (Midsize): Kirsten Fitzgerald – “The Moors” – A Red Orchid Theatre

Director of a Musical (Large): Trent Stork – “Kinky Boots” – Paramount Theatre

Director of a Musical (Midsize): Denise Yvette Serna – “Somewhere Over the Border” – Teatro Vista

Director of a Revue (Large): Kenny Ingram – “Blues in the Night” – Porchlight Music Theatre

Brian Quijada (center) is the playwright and narrator of Teatro Vista’s musical “Somewhere Over the Border” by Brian Quijada at the Windy City Playhouse.

Ensemble of a Play:

“Choir Boy” – Steppenwolf Theatre Company

“Steel Magnolias” – Drury Lane Productions

Ensemble of a Musical: “Somewhere Over the Border” – Teatro Vista

Performer in a Principal Role, Play:

Sean Hayes – “Good Night, Oscar” – Goodman Theatre

Cassidy Slaughter-Mason – “The Luckiest” – Raven Theatre

Performer in a Principal Role, Musical:

Richard Bermudez – “Evita” – Drury Lane Productions

Michael Wordly – “Kinky Boots” – Paramount Theatre

Performer in a Revue: Felicia P. Fields – “Blues in the Night” – Porchlight Music Theatre

Solo Performance: Bethany Thomas – “Songs for Nobodies” – Northlight Theatre

Performer in a Supporting Role of a Play:

Sheldon D. Brown – “Choir Boy” – Steppenwolf Theatre Company

Elizabeth Ledo – “Steel Magnolias” – Drury Lane Productions

Karen Aldridge and Audrey Billings in “The Moors” at A Red Orchid Theatre.

Performer in a Supporting Role of a Musical:

Daniella Dalli – “The Sound of Music” – Marriott Theatre

Sara Reinecke – “Kinky Boots” – Paramount Theatre

New Work (the Libby Adler Mages Award):

Tyla Abercrumbie – “Relentless” – TimeLine Theatre Company

Doug Wright – “Good Night, Oscar” – Goodman Theatre

Scenic Design (Large): Rachel Hauck – “Good Night, Oscar” – Goodman Theatre

Scenic Design (Midsize): Joe Schermoly – “Hurricane Diane” – Theater Wit

Costume Design (Large): Ryan Park – “Kinky Boots” – Paramount Theatre

Costume Design (Midsize): Myron Elliott-Cisneros – “The Moors” – A Red Orchid Theatre

Sound Design (Large): André Pluess – “Good Night, Oscar” – Goodman Theatre

Sound Design (Midsize): Jeffrey Levin – “The Moors” – A Red Orchid Theatre

Lighting Design (Large): Jason Lynch – “Choir Boy” – Steppenwolf Theatre Company

Lighting Design (Midsize): K Story – “The Moors” – A Red Orchid Theatre

Choreography: Alex Sanchez – “West Side Story” – Marriott Theatre

Samuel B. Jackson, Gilbert Domally, Richard David, Tyler Hardwick and Sheldon D. Brown in Steppenwolf Theatre’s “Choir Boy.”

Music Direction:

Kory Danielson – “Kinky Boots” – Paramount Theatre

David Fiorello – “Blues in the Night” – Porchlight Music Theatre

Original Music in a Play: Pornchanok Kanchanabanca – “Gem of the Ocean” – Goodman Theatre

Fight Choreography: Christian Kelly-Sordelet and David Blixt – “Athena” – Writers Theatre

Projection Design: Rasean Davonte Johnson and Michael Salvatore Commendatore – “It Came From Outer Space” – Chicago Shakespeare Theater with Universal Theatrical Group

Artistic Specialization: Sylvia Hernandez-DiStasi – Circus and Movement Design – “Lookingglass Alice” – Lookingglass Theatre with Actors Gymnasium

Short Run Production: “The Magnolia Ballet” – About Face Theatre

Short Run Production, Ensemble: “What to Send Up When It Goes Down” – Congo Square Theatre Company

Short Run Production of a New Work: Natalie Y. Moore – “The Billboard” – 16th Street Theater

Short Run Production, Performer: Terry Guest – “The Magnolia Ballet” – About Face Theatre

Short Run Production, Design: Angela Weber Miller – “Who’s Holiday!” – Theater Wit

Special Award: Chuck Smith for Lifetime Achievement in Theatre

Chuck Smith and “Objects in the Mirror” playwright Charles Smith in a rehearsal at the Goodman Theatre in 2017.