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The Dears
No Cities Left
If imitation is the sincerest form of flattery, then Morrissey’s ego would be that much bigger after coming across The Dears; singer Murray A. Lightburn delivers a dead-on impression of the Mozzer at his melodramatic, mopey best throughout the Dears’ full-length debut, “No Cities Left.” The Canadian act’s sound deviates from the Smiths, though, coming off like a strange cross between Radiohead’s space rock and the libertine cabaret lounge of Serge Gainsbourg.
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Take away: Canadian Brit-pop
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Edited by Curt Wagner ([email protected]) and Victoria Rodriguez ([email protected])