Review: ‘Dead Girl’s Quinceañera’ at Goodman Theatre turns an apparent abduction into a teenage caper By Chris Jones October 6, 2026 at 2:57 p.m. Phanésia Pharel's new play has a lively cast of adults playing teenagers, and is not...
Chicago Theater Report: John C. Reilly is back in Chicago, Baby heads to Broadway and how to get into the Uptown Theatre By Chris Jones October 6, 2026 at 1:46 p.m. The national tour of “Dirty Dancing” in Chicago last month turned out to be a...
Review: M.A.D.D. Rhythms hoofers from past and present shine, despite technical challenges By Lauren Warnecke October 7, 2026 at 2:24 p.m. M.A.D.D. Rhythms co-founders Bril Barrett and Martin “Tre” Dumas III performed some of the finest...
Review: In its 10th year, the Joffrey Ballet’s ‘Nutcracker’ is the best version of itself By Lauren Warnecke December 6, 2025 at 11:20 a.m. Any hint of clunkiness or awkwardness has been smoothed away in the Christopher Wheeldon version...
Review: ‘Elf’ at the Auditorium Theatre has a fine Buddy in a middling musical By Emily McClanathan December 5, 2025 at 5:15 a.m. With music by Matthew Sklar and lyrics by Chad Beguelin, the Christmas cheer is dialed...
Review: A welcome return home of the spoof musical ‘Urinetown’ at Theo Ubique Theatre By Chris Jones December 4, 2025 at 1:32 p.m. The origins of this musical by Greg Kotis and Mark Hollman stretch all the way...
Review: ‘Falstaff’ by Chicago Opera Theater is a sunny farce that shows off the real Salieri By Hannah Edgar December 5, 2025 at 10:22 a.m. This production in the Fine Arts Building transplants Shakespeare-via-Salieri’s comical opera to a chi-chi, “White...
Review: ‘Jacob Marley’s Christmas Carol’ leans into Dickens’ language and the supernatural By Emily McClanathan December 3, 2025 at 5:00 a.m. Lifeline ensemble member Phil Timberlake takes on Tom Mula's solo play, told from the point...
Appreciation: Why Tom Stoppard was my favorite living playwright By Chris Jones January 23, 2026 at 5:03 p.m. Stoppard reminded us that psychology is connected to family is connected to venture capital is...
Tom Stoppard, sparkling playwright who won an Oscar for ‘Shakespeare In Love,’ dies at 88 By Jill Lawless November 30, 2025 at 9:19 a.m. British playwright Tom Stoppard, a playful, probing dramatist who won an Academy Award for the...
Review: ‘Much Ado About Nothing’ at Chicago Shakes is warm, lovely and funny indeed By Chris Jones November 26, 2025 at 1:20 p.m. If you fear boredom when attending Shakespeare, you need have no such worries here.
Review: A truly terrible ‘Taming of the Shrew’ at Court Theatre By Chris Jones November 25, 2025 at 9:39 a.m. The heavyweight conceit here is that we are watching a play within a play, a...
Review: Goodman Theatre’s ‘Christmas Carol’ finds the darkness and light every holiday season By Emily McClanathan November 25, 2025 at 5:10 a.m. In the opening scene of “A Christmas Carol,” newly directed by Malkia Stampley this year,...