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For Chicago Magazine

Steve Johnson

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Linsey Ralston, left, of Chicago, and Caroline Gray-Lyth, visiting from England, view photos by amateur street photographer Vivian Maier in the exhibit, "Vivian Maier's Chicago" at the Chicago History Museum in 2014.
Nick Cave has been singing about mortality for decades, and he's really good at it. Whether the narratives are biblical or pulpy, the victims innocents or death row convicts, the circumstances comprehensible or cruelly random, Cave's songs are on intimate terms with the infinite ways a life can be extinguished. And yet, "Skeleton Tree", his latest album with his estimable band, the Bad Seeds, is a relatively concise song cycle shadowed by death that feels different than all the rest. <a href="http://www.chicagotribune.com/entertainment/music/kot/sc-music-nick-cave-skeleton-tree-ent-0916-20160916-column.html" target="_blank">Read the full review.</a>
Henry Darger was a solitary Chicago janitor who became an icon of outsider art after his death. He spent most of his adult life in a one-room apartment in Lincoln Park, a neighborhood much less tony in his time. When he died in 1973, his landlords and neighbors, who were virtually his only friends, discovered in the apartment a riot of creative output: a 15,000-plus-page novel, typewritten, and his sprawling watercolor landscapes, mostly extensions of or improvisations on the quasi-Civil War "child slave rebellion" he depicts in the novel. <a href="http://www.chicagotribune.com/entertainment/museums/ct-40-great-museum-objects-20170706-story.html" target="_blank">Read more.</a>