‘Young Woman and the Sea’ review: Daisy Ridley navigates a shallow but rousing swimming pic
It may be as full of cliches as it is of jellyfish, but Disney's "Young Woman and the Sea" will be irresistible to many. Daisy Ridley helps.
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‘Hit Man’ review: Glen Powell gets it in gear, in a hired-assassin Netflix movie for the rest of us
Richard Linklater's amiable new Netflix movie is loosely based on a true story. It ignores popular action comedy tastes for something better.
‘Furiosa: A Mad Max Saga’ review: Anya Taylor-Joy tastes hot asphalt and cold, cold revenge
The fifth "Mad Max" movie is the most grim of filmmaker George Miller's ongoing nightmare of a fairy tale. But it's alive.
John C. Reilly comes home for Chicago International Film Festival gala June 1
The 60th anniversary Cinema/Chicago fundraiser honors the Chicago native along with filmmaker Jennifer Reeder.
10 movies for summer 2024: Sequels and reboots, but fingers crossed for a surprise
The smart money's on "Deadpool & Wolverine" to make the moolah this summer. Here's hoping for some unexpected hits as well.
Review: ‘Gasoline Rainbow’ is a memorable teenage road trip along an improvised Oregon trail
In "Gasoline Rainbow," now at the Music Box, five teenagers embark on the journey, and challenge, of their young lives.
‘IF’ review: Ryan Reynolds and a truckful of sugar can’t help this medicine go down
Writer-director John Krasinski's maudlin fantasy is about imaginary friends separated from their human pals.
Column: Why the stink of that bad, bad iPad ad won’t go away
Apple’s “Crush" commercial, unveiled last week, has people infuriated by its destruction of analog creative tools. But the same company's forays into A.I. are more sinister still.
‘Slow’ review: He’s asexual. She’s not. The movie explores what happens next.
This Lithuanian film sometimes strays toward conventional romcoms — the scenes about communication are its best moments.
‘Kingdom of the Planet of the Apes’ review: Simian, begin again
The movies in this franchise may be grim, but they're compelling, and a subtle hand with the visual effects means you always feel invested in the world on the screen.