The Troubles have rarely been more troubling onscreen than they are in "'71," a vivid, shivery survival thriller that turns the red-brick residential streets of Belfast into a war zone...
Uncovering one corner of American roots music that hasn't benefited from the recent folk revival, Sterlin Harjo's heartfelt doc "This May Be the Last Time" begins as a testament to...
Two wrongs don't make a right -- nor any clear dramatic resolution -- in "To Kill a Man," a grim, fat-free revenge thriller that extracts an impressive degree of moral...
"Middle Eastern feminist vampire romance" is likely to remain an underpopulated cinematic subgenre, but at least it now has a luminous standard-bearer in "A Girl Walks Home Alone at Night."...
"The House of the Devil" and "The Innkeepers" established Ti West as an old soul on the horror scene: a 1970s-schooled classicist pursuing a tidier brand of terror than the...
Lusciously coiffed Quebecois prodigy Xavier Dolan overreached with last year's "Laurence Anyways," a three-hour transgender saga that overindulged his admittedly striking stylistic affectations. Perhaps even he agreed, since "Tom at...
Dramatizing a startling incident of teen-on-teen violence that made U.K. legal history in 2003, and the complex circumstances that caused it, "Uwantme2killhim?" is nonetheless likeliest to shock young audiences as...
"I hate films where people talk to the camera," says Jamie Blackley's smartass protag Jack at the outset of "We Are the Freaks." He's speaking directly to the camera, of...
It's not just the protagonist who's short of inspiration in "Not Another Happy Ending," a trifling comedy about writer's block that aims for a blend of Richard Curtis-style cheeriness and...