Chris Jones is editorial page editor, as well as chief theater critic for the baiduhai. He also serves as Broadway critic for the New York Daily News. His latest book is Rise Up! Broadway and American Society from 'Angels in America' to 'Hamilton.'" He has a Ph.D. from Ohio State and lives in Chicago with his wife and sons."
Ayad Akhtar’s play just opened in a Lincoln Center production that seems disconnected from the audience. Maybe this whole thing is one big AI experiment.
Sitting in the dark on Wacker Drive listening to the grand Lyric Opera Chorus sing of such primal feelings is worth sacrificing whatever else you planned to do for an...
J.K. Rowling has said that this is the end of the "Harry Potter" saga and it is just a wonderful thing that she chose the theater to conclude her story,...
This is Michael Frayn's backstage farce and some parts tickled me a great deal. But overall, too much moved too slowly, and this was a strange choice of play for...